Baggage
Blade – Try and lower the tone of your voice
Gwen – Try putting your hair up, we are missing your face
B+G – At the beginning, before Kevs entrance the lines need to run a lot quicker, smoother and fluidly
B – When talking about Ryanair and BA, you need to focus less on that grape and more on your lines
Radley – You brought an air of confidence to the scene
R – Try not to make such noise with the paper
B – When you say “as long as it takes”, what do you mean?
G – “I didn’t think he’d get here so late” what do you mean?
B+R – The bit towards the end when you are having a go at eachother was not strong enough, there needs to be more feeling and emotion it the words
R – the bit at the end when you have been ‘defeated’ and went to sit next to mum was beautiful, i just think that you need to move closer to your mum
B – Hold the ending till you get the applause or the lights go out, do not loose character
Millenium
Frost – Your character has come on leaps and bounds, you’ve got to give that to every run-through from now on
Gwen – Need to be more confident with your lines and then you will be quicker and react quicker to what is being said
F – Need to react to the slap that Joey gave you, it hurt
G+F – Need to see more of a connection
Shaun – I like what you did with the character throughout, but i need to see it more, play with the character, lets see something different, try; Sleepy, Lazy, Extra Hyper, Suicidal etc
Coming Up
Shaun – Characterisation are great, coming on leaps and bounds
Antonio – need to get off script, need to be more confident with your lines and work on your character
S – Would on your diction, its great that you are 100% with your lines, we now need to hear 100% of your lines, you are mumbling a lot
Yiannis – Your presence when you came on stage was brilliant, make sure that you keep that campness there, and keep the characterisations, make sure that it stays strong
Every Bit of my Love
Radley – Lets bring it back to East End of London
R+Y – It was brilliant when it’s just you two, at the beginning, but to make it stronger, you need to make sure that the ENERGY is there throughout, let’s make everything crazy OTT!!!!
Catia – Work on your diction, make sure that we can understand every word of what you are saying
Catia – Lets try the scene in some sexy clothes, i think itll give you something to work with
Radley – The Script is holding you back, roll it up and put it in your pocket
Paige – “Ive been looking forward to working with you” make it obvious that you are talking about his arm
Y - Wear a scalf for your character, it will work!!
Y – The more kisses that you give Twinkle and Laticia, the funnier it will be BUT, be confident giving them, otherwise it looks awkward
C – When you are being sexy, speak louder, walk slower and touch him everywhere
P – You came on wayyyyy too early, the two need to kiss
Y – That’s some beautiful reaction to the fact that those two are in love is great
Monologue
I want to see more of a connection between you two, like the connection goes deeper than blood, friendship, it needs to be an unbreakable bond that you cannot describe or understand.
Samantha - I want to see more evilness in your eyes when you are saying “i didn’t like one of the princesses” don’t open our mouth that with.
Sophie - Bring your head up, as an audience member; i want to see your face. “Andys Crying” Say it monotone as an ‘evil shadow’.
Dark Matter
Alex - I want to see you play the line “limitless” a lot more, its, maybe, the strongest word in the scene. “No, no, you are lost...” you need to put your foot down and take some control back. She has taken control of your game that you wanted to play. When you are looking at Paige in the ‘creepy way’ keep your concentration, look directly into her eyes. The two of you need to practise the slap.
Paige - Be more confident with the lines, we need to bring back the connection that you two have had in the past, i think that we have lost it because you have lost some of your lines at the beginning. So, you are a stalker”, i want to hear the word stalker a lot more, its a funny line, lets play with it much more. Lets work on the ending, i feel like it could be a lot stronger.
Note to all, do not enter or exit the room when a scene is being played out. During a run, you should either be rehearsing your lines individually/in pairs/in groups or you should be in the room, quietly watching or taking constructive notes for our piers.
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