Feedback morn 21/5

Sam – Don’t overact the beginning, its more confusion than anger

Sam – What does Thursday think towards Peter being so immature and childish regarding Thunderbirds? Anger? Frustration? Entertaining?

Sam – The line is ‘I’ve got work in the morning’

A – S – The pace in the first scene is a lot better than on previous occasion, though, we are losing all the comedy. You need to figure out definitively where the comedy is and then make sure that the audience hear those words, leaving pauses for laughter

Ant – Need to still work on your diction during all monologues, don’t lose all the work that we have done.

Ant – There is a difference in looking scared and looking constipated in your facial expressions, when Thursday is behind you, make sure that you are not crossing that ‘line’

Ant – Make sure that you introduce yourself to more than just 1 audience member

Ant – ‘Haddock’ make sure that your pronounce that work correctly

Yia – when you are texting Peter, be in a freeze, just with a cheeky smile towards the audience

Yia – When Peter is talking directly to the audience, make sure that you are in a 100% freeze in neutral

Yia – make sure that you are in complete control of your eyes and they do not wonder when you are talking to people, look them in the eyes

Y – A – The change over into the phone call scene need to be slicker, no dragging of chairs, pick them up and move them

Yia – Don’t be afraid to go to the door when you are shouting to your wife

Yia – Don’t strain your voice when you are shouting to wife, there is no need to be as loud as you are currently being. It takes a more talented actor to hold in emotion than to let it all out, if an audience can see that you are getting angry but bottling it up they will be able to relate to you more than looking a man shout at a wall.

Ant – When you are talking to the audience, be more relaxed and make sure that you being nice and charming to them

Ant – Need to make sure that you are word perfect and confident with your lines during the msn chat conversation scene, your diction and pronunciation are lacking

Ant – ‘i don’t smoke’ bring the pitch of your voice down; don’t go as high as you currently do

Ant – Start your monologue while you are taking care of Dan

Yia – Do you like that Peter is taking care of you when the ball hits you in the face?

Ant – when you are thrusting, put your knees on the floor. And make sure that your diction is still precise.

ALL – The first two kisses, the one between Thursday – Dan and then Thursday – Peter were both too long, we lost all energy

ALL – The kisses still need a lot of work. What are your characters feeling? Where is the shock on your faces when you are jumped on? Anger? Frustration? Enjoyment? An audience need to see the emotion in your eyes and body language

ALL – We need to use the space more adventurously, more spontaneously and creatively