Notes from show 2

Show 2;
Baggage-
Blade do not start talking until R has completely left the stage.
B- need to work on vocal exercises to deepen tone of voice and try develop more male charateristics.
g- "what life would have" look at mum.
B- "I'll get YOU a chair" reaction to R taking your chair.
G- when you and R are chatting be nagging him it's good to see sister nagging brother.
B- sit straight down when R comes on stage have a moment of pure eye contact.
G- look at watch to see the time when R asks
G-moving from mums side to R on "Kevin" is awkward it looks wrong stay mums side longer and move later
The transition at the end was too loud and clumpy

Dark Matter-
Great connection between the two of you.
You both need to work on your comic timing, ie letting audience members laugh at the parts that are funny before cutting them off.
Alex- need to be getting more angry on "no, you are lost"
A- pause before "bitch" after bit me.
Both- the slap was perfect
A- the ending don't work at all
P- there are moments when you should zone out.

Millennium-
Gwen - Need to slow down your dialogue at the beginning
Shaun - When running on, be careful not to fall over
Frost - Your energy is much better
F - Need to work on your hair, due to lots of running around and energy it goes back to George hair
S - Need to be more quiet off stage
Antonio - 'As a species' needs work
F - Lost all the meaning 'you've got something on your face' it needs working on
F - Too dramatic after Gwens exit, it's not needed

Every Bit-
Great characters, the two of you together work really well Y and R
Yiannis - From 'Act 1' you lost all te enthusiasm
Y - 'Pure Sex'
Radley - Need to work on 'line change' line
Alex - Cut off the conversation with 'Accident'
Y - Shout 'Laticia Fox' from off stage, interrupt them
All - Needs more energy and confidence

Coming Up-
Shaun - Running onto the stage in robe doesn't work
Antonio - Still had blue eye make up on, not good
A - 'Shed go mental if she found out' diction!
S - Slow down your dialogue
A - 'Is it' needs work
A - lost all of 'shit, is it a gay bar' don't put hands to mouth
S - 'Found them' when you pop up
A - mind out where you are standing, you are blocking S
A - 'Pages of history' much louder
A - Exit off stage with S

Monologue-
Don't come on till towards the end of Coming up
Samantha - Stepping into 'I know I'm too old' V good
Both - Lots see more of a reaction to each others faces when you look at each other. Make it bigger.
Sophie - Laugh before/during 'He laughed' not after
Both - Slow down when raising and lowing arms