Baggage
Blade – Need to be louder, esp. at start
while music is on
B + Gwen – still needs you be more
snappy, don’t worry about cutting each other’s lines off a little and often
Radley – Get some money out for B, B ‘I
don’t want that dirty money’
Catia – No glasses
R – Read the paper until “hello mother”
B – While G+R are arguing, pay attention
to mum, faf with her feet etc
G – “YOU left her with US”
B – End sandwich line much louder
When leaving the stage, need to be
quieter
Dark Matter
Alex – Slow down your dialogue, there is
a lot of meaningful dialogue in there that is being missed being it is too
quick
Paige – Good with closing eyes, open
them on “why am I lost”
‘So, you are a stalker’ is a comical line, play it more to audience
Pause before ‘don’t look at me like that’
‘So, you are a stalker’ is a comical line, play it more to audience
Pause before ‘don’t look at me like that’
Millennium
The bed should be made
Gwen – Not so laid back about Frost
having taken drugs. Does it anger you? Upset you?
During Tom’s entrance, it was sloppy;
people forgot line, and too slow overall.
Frost – Don’t forget to clap to turn on
lights
Do not touch the stereo at all, it is an unused prop
Do not touch the stereo at all, it is an unused prop
Antonio – Diction needs work, try some tongue
twisters
A – “double drop” line needs to be much louder
A – “double drop” line needs to be much louder
Shaun – Shout for ‘Ewan’, he will die if
he is not under the tent!
F – Need to make sure that the candles
are used and in the right times
Every Bit of My Love
Radley – Need to be much louder
throughout the entirety of the play
Catia - To be much louder throughout the
entirety of the play also
Yiannis – When you are naming the films
that ‘Jack Hammer’ has already been in, look out to the audience, it is an obvious
pun but one which is very important for the play to develop in the correct way
R – Use the script to symbolise Machines
genitalia
R – ‘Call me a crazy son’ van afford to
be bigger and bolder
C – Please work on your diction, use
some tongue twisters and vocal warm-up exercises to warm up and help your voice
C – Don’t forget to attack R on “what do
you want Ian”
C – Need a make-up bag
R – Use more baby oil and spread it across
your arm, trying not to spill it on the stage
R – Put the lube and Deep Heat on the
table, out of the way
Nicole – Need to work on your lines,
making sure that they are 100%
C – When being sexy, walk slower and
talk louder
N – Very good acting while sitting down
on chair, use table if you want too
C + R – while kissing, try and create
some movement to go with it
Coming Up
Antonio – Need to work on your diction
and pronunciation of certain words
Shaun – Need to work on your lines,
making sure that they are 100%
A – Fidget more; be nervous about asking
your dad for money
S – More masculine from “I watched this
film” and onwards
Yiannis – Need to be louder, project
your voice
S + A – What is the connection between
father and son? Do you see eachother often? Do you love you mum more?
Visa-Versa?
S + A – Skipped a load of line “Ben is
his nickname” bit
Monologue
Both – You both need to be preset at the
beginning, like all the rest of the scenes are, if you are not then it
completely ruins the feel of the entire show, it should be the same staging
idea throughout
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